International Literary Project - Literature and Peace

 

  <  language  ENG  > OYSTERCATCHER

 
  Anthony Blackwell

tale

OYSTERCATCHER
 

 

Anthony Blackwell

 


They had to get to know one another all over again, acquaint themselves with the people they had overgrown into. They spoke of Destiny. He was the first one to use that word. In any case, it was not accidental, their reunion, and their farewell had been negligible.
It was a mild April evening and, walking through the city of Dublin along the quays, she wondered which of the passers-by were good friends of his. The woman was in a strange mood and she was talking to herself like this. I think it’s just because I’m so tired. The best way I can describe it is apathetic. I just want the world to fuck off and to leave me alone. I thought why couldn’t I just walk around the area, soak up the sights even if they aren’t all that great and just get out and wander for a bit. Just be happy with my thoughts. So that’s what I did. I’m feeling very relaxed and at peace with the world now, somewhat serene. She thought it had something to do with him. She hadn’t gone far because it was becoming dark but she had felt the need to walk so she went.
When he called the first time she recognised his voice immediately but told herself it couldn’t be him. On one occasion he sounded cheerful when he phoned and the last thing she heard, before they were disconnected, was his laugh, which made her feel better. The days when she didn’t hear from him at all were the longest. The worst was just not knowing when she was going to hear from him again and she was just sitting around, waiting. She would have never forgiven herself if she had missed one of his calls.
The weather had been nice but she did not like the city. After all, she was from someplace else. Dublin had been tolerable when he was there. In his absence she found herself wandering aimlessly around town becoming increasingly upset because there was no possibility of seeing him. She missed his company. Her thoughts all seemed to revolve around him. Standing in line at the tax office she broke down and cried. She was worried by his absence and was waiting for him to come home. He was a sweetheart. He was the craziest thing to happen to her.

In a quiet, unimportant place a man was standing in a public park. Alone, at night, he stood in the centre of the park surrounded on all sides by large buildings. The man was from someplace else. The fog that had descended upon the town on the morning of his arrival refused to lift and he had taken to going for long walks, uncertain about the nature of his solitude. Was it, in fact, an illusion, boxed in, as he was, by the vapour? He encountered very few people on his walks and they were reduced by the fog to passing blurs. He stood upon the grass, listening. He remained still but heard nothing save occasional distant noise. The man raised his eyes in the direction of the sky, peering into the illuminated greyness, looking for the moon and stars. It was then that he remembered something he had either read or heard. One should not look at anything. Neither at things, nor at people should one look. He thought he perceived intelligent, intermittent lights, aircraft beacons, perhaps. He could not see the stars; he could not see that far, nor could he be expected to. His eyes, unsurprisingly, could not penetrate the fog. He would have looked to the constellations, to Orion, Taurus, and Pleiades, if he could, to navigate an escape from this oppressive place so similar to what he imagined the Lüneberg heath to be like. He recalled something he once read on a poster. Ultimately, the universe itself is a symptom that will disappear. The man thought he was going crazy. He had withdrawn into his own thoughts and had wandered away, abandoning her, prolonging his ordeal and proclaiming his own defeat, accepting a diminution of himself. He was thinking how, in a Platonic sense, she will exist for as long as he lives, as an idea, in the atmosphere of this place.
He continued walking, talking to himself like this. I don’t want anything from you. Just to know you. I don’t think we’ll ever meet many people where this kind of thing happens. Perhaps a few in the course of a life. I shouldn’t have frightened you. He should have been more careful, using a word like that. He hadn’t meant it in that way, or had he? He couldn’t tell. In any case, it had been an ill-chosen adjective. He believed love was a regulative concept, an irreducible novelty, the word was too arbitrary, and he was only half-serious about the Destiny thing. In fact, he feared love more than anything else, more than existence itself.
He hurried through town, shrouded, with the arithmetical attitude of a man who is counting and calculating, distracted and quietly despairing, sure that he was but one of many solitudes, uncharacteristically unimpressed by the many lives that moved, changed shape, transfigured his environment, the blurred shapes of human movement. In a strange town he loved to throw himself into the traffic of the throng and be made anonymous and mobile in the multitudes. This time, however, he did not pause to consider man’s miscellaneous nature, the concentric lives, the impossible range of feeling suggested in the distant cacophony of human noise.

The woman was walking west along the quays, looking at the horizon of plant life on the opposite bank. The sky was rosy-fingered. She remembered the last phone call and wasn’t sure whether he would call again. He had rejected her in the past, before all of this. When he asked her whether there was anything she wanted to say to him she didn’t know what he wanted her to say so she said nothing. She still didn’t know whether that was the right thing to do. I just don’t know, she thought. I don’t know how I feel. I can’t explain it. I don’t know what you want from me or what exactly it is you’re thinking. Sometimes I think this is all for the best and there’s no point seeing you when you get back, if you get back. All I know is that it’s terrible being away from you, or you being away from me, as the case is. I can’t even think straight. I sometimes wonder what it all means.
She decided to remove herself from the quays, from the violence of the passing buses, and walked through Quartier Bloom, the burgeoning Italian district she referred to as the Galleria, thinking of Milan, (she knew one of the models from the Last Supper and liked to look on the rare and significant other life bequeathed him by the photographer) and along the Luas track, passing the café on Capel street where once they had shared coffee, looking at the counter where they had sat, vacant now, all the counters vacant now, in T. P. Smith’s and Keating’s too, and the public benches on Wolfe Tone Square, passing St Michan’s Church, reflexively thinking of ghosts, and as she approached Smithfield Square she remembered a conversation they had in Thomas Reads on a night not too dissimilar to this one. The bar did not seem to belong there, at the time, on that square, amid the nascent development. The mahogany furniture, the red carpet, the professional clientele, created a transitory impression. One felt foreign there, stateless, sitting, drinking in an anteroom, as it were, a half way house. It had an air of displacement. The kind associated with airport lounges and hotel foyers, train terminals and industrial estates. The same sense of wholesale vacancy and timelessness.
At a table by a window they interrogated, through exchanges of raillery, consciousness, the phenomenon that was their friendship, the indissoluble synthesis, its peculiar structures, laws of appearance, and meaning. They struggled to grasp the essence of the phenomenon. Sometimes I wonder what it all means. They talked about Lévinas and the wisdom of love and about dying. He was talking a lot about dying at the time. It seemed to her he apprehended the world in this manner, juxtaposing it with its extinct other, the other that we are born into when we die, as if it preserved and maintained him and defended him from all human emotion. She was not at this point aware that he had already decided to leave, had put plans in motion. He spoke like a suicide, describing his ideal funeral, asking her would she visit his grave, if, that is, he chose, in the end, or, rather, before the end, to be buried. He asked her whether she would be sad, if he died. She said she would miss him. He became angry then. Not because of her answer, he had barely heard her, it seemed. His mind was moving forward, imagining the funeral, identifying the mourners’ faces, displeased by the attendance of certain acquaintances, satisfied that a guest list would do the trick, thinking of the funerary industry. He said to her, In any case, funerals are little more than occasions for people to demonstrate how little they really know a person. He continued to imagine the ceremony, the reading of the lectionary, his family, little knowing the disservice they were doing him. He thought of all the people he knew – personally – had died. The ones he remembered, at least. So many people, it seems, die. He remembered the occasion of his grandfather’s death, the deathbed scene. His grandfather, the renowned and widely respected entrepreneur, who, like the cross-eyed, left-handed gunsmith from Tula, was gifted with his hands, and whom, through free will - the remaining potentiality for action after his religious and civic dues had been paid - and his life’s work as an horologist, set out to acquire the greatest degree of autonomy possible for the future survival of his family, effectively guiding them through a Sinai, providing the basis for their respective careers and personal achievements, a patriarch, playing his part in a lineage begun time immemorial, destined to the fate of old age, destined to lie in a palsied fashion, emaciated, beyond self-conscious, perhaps at a stage that was prereflective, a castaway, surrounded by other doomed survivors of the wreck.
She asked him what he was thinking. What I’m going to do about you, he replied. He wondered whether this was the providential meeting he had so long been waiting for. Only it was late, so late. How does it go? Ivan Bunin. See if I can remember. From year to year, from day to day, in our heart of hearts there’s only one thing we wait for – a meeting that will bring happiness and love. That hope is all we live for – and how vain it is. She wanted him to know how much he meant to her, sitting in the chair opposite him. They had been through a lot together in a short space of time. His presence had shattered the dreary sameness of her days. She admitted that she could never do the things he did. She had come to rely on him for inspiration. Since they met he seemed to have had a profound effect on her. He brought to the surface something she could never access herself, a desire to see and experience and learn things. Throughout her life she had been convinced that this impulse was beyond reach, that she would have to travel the world or become a completely different person. She just didn’t think she could do it. She asked him how he did it, how he lived, that is – the one question, it seemed, that truly engaged his soul - and he told her that as far as he was concerned the end of human life consisted in strictly and unreservedly following truth, that it was but one prolonged moment of contemplation, of inaction in the midst of action, and all one can do is try and draw profit from what one knows. It was hopeless. She could never truly know this kind of man, or could she? She wondered whether if things had been different she could have made him happy. She dismissed sex as a course to that ideal union, that clawing attempt to enter a person, that ultimately shallow, unsatisfactory penetration, the libido, an inexhaustible impulse signifying our fundamental unsuitability for happiness.
She decided to return home then. She guessed she was not as happy as she originally thought she was. Walking east along North King Street she passed a barren terrain, a space of fenced, fallow real estate, a wasteland in miniature. A custodian of places, he had introduced her, she remembered, a relative stranger to the city, to the Castle Gardens, explaining how his father, who survived himself in the existence of his son, used to play five-aside football on that very site, before it had been re-developed, when he was stationed in Dublin Castle. They were sitting on a bench. The sun was shining in their eyes and he had been silent for a long time. It was a warm day and there were many people visiting the Chester Beatty Library and stretched out upon the grass and a couple of young children were chasing each other. Were those tears in his eyes, she wondered. Again she had asked him what he was thinking. He found it difficult to respond. He hoped the sun could explain his tears. How could he make her understand what he himself could not, how an unprecedented vulnerability, it seemed, had undermined his stoicism, how he could not look upon a Monument or Wonder of Nature or Work of Art, nor, for that matter, upon any person’s face, upon whose countenance was writ the contestation between mutability and durability, without feeling the need to cry. How does it go? Shelley. Nought may endure but mutability. Even still objects, he decided, are in a state of flux. He watched the children playing. The boy chased the girl and when he caught her, as he unfailingly did, would clumsily kiss her. Before either he or these children were born, he thought, his father had chased a football on this field. He watched the children with tears in his eyes. He knew she was waiting for an answer to her question. Right now, he said, at this very moment, I think I almost love you.

The man walked resolutely through the fog, through the unimportant, relatively quiet seaport town – a tarnished universe – knowing what he needed to do. He hoped she was at home. It was impossible for him to think of her without thinking of Dublin and reducing it to its illusory dimensions. He remembered an afternoon at Arbour Hill. It was a beautiful day. The sun shone brightly from behind the trees and by the wall men in suits walked in pairs. Around a corner a man was playing with a racket and a ball among the headstones that lay flat upon the grass like tiles. Solitary dog-walkers, too, moved among the graves. He remembered thinking that if the meaning of life was ever to be found it would be discovered through the observation of our cemeteries. It was then he saw the Oystercatcher. He knew it was called an Oystercatcher because he looked it up in an encyclopaedia of birds when he returned home. What was it about the bird that so fascinated him? He could not remember seeing one before, even though, as he later learned, they were an indigenous and perennial presence in the country. He marvelled at the name, after he had learned it, that is. Oystercatcher. Was it because it was a compound word? Or was his fascination related to the vicissitudes of the word as a transmitter of meaning, that it was named, in human fashion, after its occupation, the guild of birds it belonged to? Haematopus. But he could not have known these things when he first saw the bird. He had yet to discover its nomenclature. It was the bird’s appearance that re-directed his attention, the little black and white bird with the bright pointed bill tip. Was it male or female? Obviously it originated someplace else, the coast or some local estuary. It was probably breeding at this time of year. He marvelled at his fortuitousness to have so serendipitously encountered the creature - had it been an epiphany, the grace of revelation? … Having seen the bird and realising that nothing more significant could be expected to occur, he had walked in the direction of the city-centre, descending Arbour Hill and crossing Manor Street at the corner of The Belfry. When he reached Smithfield Square, passing beneath the awning of sails and guided by nostalgia, he glanced perfunctorily at Thomas Reads, before disappearing into the environs of the Old Distillery and, on Church Street, his destination dictated by a posthumous fidelity, entered St Michan’s churchyard and descended the narrow stone stairway into the cool, dry air of the vaults, where his father had often brought him as a child in the macabre quest of mummified remains.
He remembered, also, seeing the bird on a second occasion when, travelling between Malahide and Donabate, riding on a DART, he looked down upon the sea where the water lapped the sand that adjoined the rails and beheld, in abundance, the bird he saw at Arbour Hill practising the occupation for which, it seemed, it was named. Late that evening, returning from the beach, having walked the length of Portraine Road to Seaview Park, exploring the twelfth century ruins of St Catherine’s Church and its small, almost residential cemetery, and, then, walking along the cliffs, studying, without expertise, the stratification of the exposed rock; making a detour into a neighbouring field, onto the grounds of St Ita’s psychiatric hospital, so like a moor, to appreciate the one hundred foot round tower, constructed in 1844 in memory of George Evans MP; the rusting iron gate which acted as an improvised ladder partially bridging the fifteen feet to the door; the graffiti, condoms - detritus of teenagers occupying their particular eternity; the disproportionately long shadow pointing to the sea, cast by the tower over the long flowing grass; he reached the beach, picked up a shell and carried it with him. He walked the distance between the beach and the village against the wind along New Road, the long, straight, unspectacular road that was also being used, at the time, by a lone joy rider. The sky was prematurely dark. It threatened to rain. The clouds were smoke-grey and becoming black. He passed a roadside grave, a funerary marker; evidently, a black spot, and, after a moment of deliberation, deposited the shell upon it in the manner of one who would light a votive candle. He offered her the shell, the deceased, for death does not prohibit tenderness, (why did he remember her as a girl? Would he have left it for a male? The body, it seems, cannot even attribute meaning to its own actions), nor does anonymity, as can be attested by all the nations’ unknown tombs and, locally, by St Ita’s private cemetery, where, for most of a century, some five thousand residents of the hospital were buried without towers, marble, or conventional phrase, without anything to remember them by.
This night, however, he arrived before the fantastical façade of a train station located on a square that featured as its centrepiece a memorial to some past blood sacrifice or other. A light escaped the open doors of the station. He walked up the steps and entered the building. The station was silent and motionless. A row of public telephones was located along the wall to his right. There were things he needed to say. He had memorised her number. He picked up the receiver of one of the telephones and commenced dialling. No answer. He looked over his shoulder. He tried several times more and then hung up the phone. Staring at the ground, he thought of nothing. The night was dark on the other side of the window; he walked to where the heavy wooden chairs were located and sat down. On the walls were hung photographs of Local Monuments and Methods of Transport, enshrouded in fog. Works of Art, vast, colourful murals representing decisive chapters from the town’s history covered the ceiling. Under this canopy he began to think again. Recalling the wisdom of a Tetrarch he thought, He who leaves Rome loses Rome. This, he decided, was the wisdom of love. He wondered where she was and what she was doing. He wondered, too, what he was doing here - a voluntary admission - in this anthropogenic habitat, this Siberia. He had lost track of time. He could not remember how long exactly he had been here. Was it a matter of days or weeks? He thought about his grandfather, the horologist, who, during the first half of the twentieth century, cycled the length and breath of County Cavan repairing its public and private clocks. He thought about the heavy wooden chairs, the train station, the buildings he passed in the course of a day, the important and the unimportant ones, all of them possessing an historical metaphysic, the melancholy of buildings meant for eternity. He thought about the illusionistic and illusory relationship of time and space, and how, ultimately, a moment was but one modality of eternity, and that eternity too was relative. Time, it seems, is but one prolonged moment. He was talking to himself like this. In the end all of it will mean nothing, or it will mean everything. It will prove to be the cradle or the grave. He walked back outside with an intuitive knowledge of himself, directing himself towards the world, and could feel condensation on the features of his face. He was, afterall, standing in a cloud. He felt the unbearable tension, the weakness and disarray, the diffuse upheaval, and the heavy, undifferentiated pressure of the whole world upon him. Gradually he walked away from the building, towards the monument of martyrdom in the centre of the abandoned town square, a cenotaph, wishing that he could be salvaged in his entirety, in his specificity, but intuitively knowing he would see neither her nor his city again, postponing their reunion to infinity, that abyss of indifference.
 

 

DOMIST © copyright 2002 - 2009 with EDS